Soviet Lenses: Introduced as far back as 1950s, most of these lenses were based on Carl Zeiss optical formulas, which gave them a solid optical performance combined with unique image characteristics, such as dreamy flares, swirly bokeh, and overall painterly texture that can only be produced in-camera! These lenses are surprisingly sharp in the middle of the frame and have a gentle focus fall-off at the edges. They deliver excellent contrast and vibrant colours in controlled lighting conditions, but when you allow them to flare, they truly come alive, and their character shines through!

  • HELICAM internal focus system for smoother, more precise focus control
  • Universal follow-focus gear positions for easier rigging
  • Heavy duty clip-on matte box comparability
  • Improved close focus for more versatility
  • Shimmable PL stainless steel mount for perfect back focus adjustments
  • Precise T-stop markings for consistent exposure control
  • Reverse focus scales for flexibility on set
  • 15-Blade iris for perfectly run bokeh at any T-stop
  • Enhanced durability to withstand professional use

IronGlass Soviet lenses have been used on many major projects, including The Batman (2022), The Pope’s Exorcist (2023), The Creator (2023), and Dune: Part Two (2024).

MKII Rehousing: Following the success of our original (MKI) rehousing, we’ve released the MKII version with further improvements to make it suitable for the most demanding working environments. The MKII features a brand-new “Helicam” internal focus system, universal follow-focus gear positions, shimmable PL stainless steel mount, precise T-stop markings, reverse focus scales and many other improvements.

  • 20mm T3.6 CF 7″ / 0.17m
  • 28mm T3.6 CF 8″ / 0.20m
  • 37mm T2.9 CF 1’3″ / 0.36m
  • 58mm T2.1 CF 1’6″ / 0.46m
  • 85mm T2.1 CF 2’6″ / 0.76m
  • 135mm T2.9 CF 3’9″ / 1.15m

Check our technical lens test video: