Project Description
SHOGUN INFERNO
7.1 inch AtomHDR 1500nit Field Monitor with 4k/HD 10 bit recording.
Shogun Inferno combines the world’s most advanced HDR monitor with high resolution, high frame rate recording. Connect cinema cameras from Arri, Sony, Canon, Panasonic, Red or JVC over the QuadLink SDI or HDMI 2.0 connections to make mastering a high resolution, high frame rate, HDR workflow a reality.
AtomHDR image processing lets you shoot with the high brightness range of your camera’s…
Shogun Inferno combines the world’s most advanced HDR monitor with high resolution, high frame rate recording. Connect cinema cameras from Arri, Sony, Canon, Panasonic, Red or JVC over the QuadLink SDI or HDMI 2.0 connections to make mastering a high resolution, high frame rate, HDR workflow a reality.
AtomHDR image processing lets you shoot with the high brightness range of your camera’s…
| Weight | |
| Without batteries & media | 709g / 25.0oz |
| With batteries & media | 1153g / 40.7oz |
| Dimensions (W x H x D mm) | 214 x 127 x 45mm, 8.4 x 5 x 1.8” |
| Construction | High quality lightweight ABS Polycarbonate for durability & |
| portability | |
| Built-in armor protection | |
| Power | |
| Operating power | 10 – 27W |
| Compatible batteries | NP series and supporting accessories |
| Input voltage (battery) | 6.2V to 16.8V |
| Battery time (based on 7.4V) | – |
| 5200mAh – up to 1.5hrs (monitor & record 4K 30p) | |
| 7800mAh – up to 2.2hrs (monitor & record 4K 30p) | |
| DC In | 1 x DC in (6.2 – 16.8V) |
| Continuous power | Primary-secondary battery system Change batteries |
| without losing power Loop batteries continuously | |
| Touchscreen | |
| Size | 7.1” |
| Resolution | 1920 x 1200 |
| PPI | 325 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube le format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 |
| with optional calibration unit | |
| HDR | |
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log |
| C, | |
| Panasonic Vlog, JVC JLog, Red LogFilm | |
| Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine |
| Canon Cinema / BT2020 / DCI P3 / DCI P3+ | |
| Panasonic V Gamut | |
| Arri Alexa Wide Gamut | |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1500nit (+/- 10%) |
| PQ in/out | Yes / Yes |
| In = Post Out = Monitor | |
| Video input/loop out | |
| HDMI | 1 x HDMI (2.0) |
| SDI | Quad link 4 x 3G SDI or up to 12G single link SDI |
| Signal | Uncompressed true 10-bit or 8-bit 422 |
| (camera dependent) | |
| Video output (play out) | |
| HDMI | 1 x HDMI (2.0) |
| SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
| Signal | Uncompressed true 10-bit or 8-bit 422 |
| (playback file dependent) | |
| Supported loop out formats | |
| HDMI to HDMI | 720p 50/60, 1080i 50/60, |
| 1080p 24/25/30/50/60/100/120/200*/240* | |
| 2160p 24/25/30/50/60 | |
| SDI to SDI | 720p 50/60, 1080i 50/60 |
| 1080pSF 24/25/30 | |
| 1080p 24/25/30/50/60/100/120/200*/240* | |
| 2160p 24/25/30/50/60 | |
| Video signal conversion | |
| HDMI to SDI | 720p 50/60, 1080i 50/60, |
| 1080p 24/25/30/50/60/100/120/200*/240* | |
| 2160p 24/25/30/50/60 | |
| SDI to HDMI | 720p 50/60, 1080i 50/60, |
| 1080p 24/25/30/50/60/100/120/200*/240* | |
| 2160p 24/25/30/50/60 | |
| Supported Codecs & frame rates (record & playback) | |
| Raw to CDNG (Record only)* | Codecs Cinema DNG for supported |
| cameras (Sony FS5/FS7/ | |
| FS700, Canon C300MKII, C500, Panasonic Varicam | |
| RAW*) | |
| Frame rates 4K DCI / 4K UHD; 24/25/30p | |
| 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p | |
| Raw to ProRes / DNxHR | Codecs Apple ProRes HQ, 422, LT |
| AVID DNxHR HQX. HQ, SQ, LB | |
| Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p | |
| 2K*** / 1080p; 24/SF24/25/SF25/30/ | |
| SF30/50/60/100/120/200/240p | |
| Video to ProRes / DNxHR | Codecs Apple ProRes HQ, 422, LT |
| AVID DNxHR HQX. HQ, SQ, LB | |
| Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p | |
| 2K*** / 1080p; 24/SF24/25/SF25/30/ | |
| SF30/50/60/100/120/200/240p | |
| 1080i; 50/60i | |
| 720p; 50/60p | |
| Onboard processing | |
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
| 60i > 24p (3:2 pulldown) | |
| 4K UHD downscale for HD monitoring | Yes – Loop-out and playback (Not |
| available in RAW) | |
| Audio in/out (48kHz PCM audio) | |
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Audio | 2ch balanced XLR analog in/out |
| Dynamic range >90dB | |
| Max signal level +24dBu | |
| Max analog gain +52dB | |
| 48V Phantom Power for Mic | |
| Remote start/stop | |
| HDMI | Auto HDMI Trigger |
| Supported Protocols – Canon, Sony, Atomos Open Standard | |
| SDI | SDI trigger camera selectable |
| Other | LANC control – Slave |
| Playback | |
| Playlist | Yes |
| Genlock / LTC | Yes / Yes |
| Playback | |
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media (Approved List Only) | 4K / HD (50/60/120p*) |
| SSD 2.5”, HDD (7,200 up to 1080p60) | |
| HD | |
| SSD 2.5”, HDD (5,400 up to 1080p30) | |
| Master caddy case | Master Caddy II (included) |
| 75mm x 105mm x 12mm | |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media |
| Composer | |
| 5.0+ / Premiere 5.5+ | |
| EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / | |
| Autodesk Smoke 2015 | |
| XML support | FCPX XML native, FCP7 supported with conversion |
| (Adobe compatible) |
